主演:Jill Lansing ... Kim Bentley,Stuart Taylor ... Kevin,Katie Johnson ... Lucy,Phyllis Benson ... Mrs. Bentley,................. 简介: When a high school senior is dumped by her boyfriend, her grades fall drastically...to avoid failing, she begins seducing her male teachers. Thus begins her downward spiral into drug addiction and prostitution, and ultimately assassinations for a kingpin mob boss
主演:安娜·法瑞丝,艾莉森·珍妮,赛迪·卡尔瓦诺,凯文·波拉克,内森·科德里,马特·琼斯,弗伦奇·斯图尔特,米密·肯尼迪,斯宾塞·丹尼尔斯,布莱克·加列特·罗森索,约翰尼·科瓦内,Reggie De Leon,詹姆斯·厄尔,David Ghilardi,Meredith Giangrande,约翰尼·克罗斯瑞 简介: Christy(Anna Faris)是那帕谷地一家高档餐厅的女服务员,已经戒酒四个月了。她竭尽全力来当一个好母亲,避免重蹈覆辙——过去她屡次做出错误的选择,差点把她的一生都给毁了!一切本来相安无事,直到Christy的母亲Bonnie(多次艾美奖得主Allison J anney)决定搬来和她一起住。Bonnie和Christy一样也曾是个酒鬼母亲,屡次戒酒屡次再犯。这一次虽然又戒除了一段时间,但谁能保证她不再碰酒瓶呢?更糟的是,这次她会不会把女儿也一起拖下水?Bonnie总是说一些与Christy过去的错误有关的消极言论,但那不是Christy的全部烦恼! It looks like we don't have any Plot Summary for this title yet.Be the first to contribute! Just click the "Edit page" button at the bottom of the 5233tv.com page or learn more in the
主演:Marshall Thompson,Shirley Patterson,Kim Spalding 简介: Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.