Margarethe

主演：Margarethe,von,Stern,Carsten,Frank,Andreas,Bethmann,Antonio,Mayans
简介：1939 年的德国。农民乔纳森·弗里德伯格 (Jonathan Friedberg) 曾与纳粹达成协议，让他的家人再次被驱逐出境。75 年后。詹妮弗是一名年轻的心理学学生，因为多年前出过事故，所以现在坐在轮椅上。她正在为大学做一项研究，并在村里随机向街上的人询问此事。她遇到了一个奇怪的故事，一个二战以来的老房子与一所废弃的房子有关。詹妮弗非常好奇，不顾一切警告，看着这所房子。她陷入了一个不可思议的境地。这是一个需要解决的谜题，与她直接相关。而且，他们落入了罪犯之手，罪犯既不买他们的账，也不愿意放他们走。情况出乎意料地升级了。恐怖正在降临！

主演：Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl
简介：　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.