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外出就餐2

主演:吉姆·维拉罗斯,Emily Brooke Hands,Nicholas James,布雷特·查克曼,马克·达珀
简介:  你要是遇到了你的梦中情人,你会用什么手段去争取?在“Eating Out”第一部中,Kyle(Jim Verraros)为了得到他的梦姑,成功地劝说自己本来正常的室友自愿装成同性恋。现在,为了得到Troy(Troy是一位裸体模特,双性恋) (Marco Dapper)Kyle在Gwen (Emily Brooke Hands) 和Tiffani (Rebekah Kochan)的帮助下又装成了异性恋。Kyle随后加入了学校的远离男性同性恋帮助中心,并且追到了一个女朋友(Tiffany)。Kyle的前男友Marc (Brett Chukerman)得知了这个阴谋,震惊之下决定自己单枪匹马去追求迷茫之中的Troy。Marc所谓的策略就是成为Troy的非同性恋一面。那么谁将得到Troy?在一个男人追男人,男人追女人,充满了双性恋谜团的“Eating Out”第二部中,性别的界限变得很淡,而最后的结局也将是你永远也想不到的。
吉姆·维拉罗斯,Emily Bro..
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外出就餐3:饕餮自助

主演:利百加·科汉,克里斯·萨尔瓦多,迈克尔E.R.沃克,敏科·斯荳,莱斯利·乔丹,素玛立·蒙塔诺,丹尼尔·史柯顿,Julia Cho,John Stallings,Maximiliano Torandell,Cristina Balmores,Rick D'Agostino,塔比瑟·泰勒,Greg McKeon,Ryan Adames
简介:  著名同志喜剧“外出就餐”已成为像“美国派”一样的品牌系列。本集主角是眼睛大大的男生凯西(丹尼尔·斯凯尔顿 Daniel Skelton 饰)。他刚搬来小城,和前两集的放荡同人女蒂凡尼(丽贝卡·科芡 Rebekah Kochan 饰)一见如故,被后者哄去同志社区中心做志愿者。在那里他遇到了型男扎克(克里斯·萨尔瓦托 Chris Salvatore 饰)。凯西觉得自己不会是扎克喜欢的类型,但芳心难奈下决定网聊搭讪,而蒂凡尼慷慨的出借前男友——脱衣猛男莱恩(迈克尔E.R.沃克 Michael E.R. Walker 饰)的照片和档案。凯西顺利的让扎克爱上了这个拥有虚假外表的自己,但他没有意识到真正打动扎克的是他的兴趣和梦想。莱恩的意外回归将所有谎言踢爆,凯西想挽回扎克对他的感觉,于是毅然报名参加同志社区的慈善义卖......
利百加·科汉,克里斯·萨尔瓦多,迈..
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外出就餐4:戏剧营

主演:克里斯·萨尔瓦多,丹尼尔·史柯顿,艾隆·米洛,哈蒙尼·桑塔纳,加里卡伊·穆塔姆比尔瓦,德鲁·德勒格,乔尔·拉什,朗尼·克罗,Steven Daigle,杰西·阿彻,敏科·斯荳,利百加·科汉,乔·菲利波
简介:  承接“饕餮自助”,扎克与凯西的关系陷入冰河期,但他们报名的夏季戏剧营已经不能取消。来到营地后两人各有际遇:扎克与饰演对手戏的本奇互生好感,但后者一直谎称直男;凯西感受到威胁,求助同人女潘妮结果越帮越忙,更懵不知自己沦为同室帅哥比欧的猎物。来添乱的是,荡女蒂凡尼一跃成为戏剧老师,靠拍同志片沟女的指导员杰森对变性学生莉莉情不自禁,海伦姨妈竟然因为一个叫安迪的壮男焕发第二春!当然人在抓马营,湿身不由己,这次他们要糟蹋——噢不,表演——的剧目是莎士比亚的名作:驯悍记。强攻强受的勾心斗角同时在真假两个舞台上演..……
克里斯·萨尔瓦多,丹尼尔·史柯顿,..
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外出就餐5:开放性周末

主演:内详
简介:影片主要描述了:剧情紧承“戏剧营”,扎克和和新男友本奇前往同志度假村享受二人世界。饱览各色男体的本奇食指大动,向扎克提出各有各玩的开放性周末提议。
内详
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外星恶客

主演:Marshall Thompson,Shirley Patterson,Kim Spalding
简介:  Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
Marshall Thompson..
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迷雾之外

主演:布莱恩特·哈利戴,吉尔·哈沃什,安东尼·瓦伦丁,德里克·福德斯
简介:  A group of experienced archeologists are searching for an old and mystic Phoenician treasure when they are surprised by a series of mysterious murders...
布莱恩特·哈利戴,吉尔·哈沃什,安..
已完结

神印王座外传大龟甲师 上

主演:内详
简介:一个身怀绝技的少年,没能通过遴选走上修真者之路,就在他调整好心态,接受这一事实的时候,几颗神秘的骰子突然出现,他突然拥有了神奇的能力,被赋予重建神族的使命,少年的人生由此改变。一个深藏于心的秘密,一种叫大龟甲术的游戏,九颗神秘诡异的骰子,神之血脉的继承者,重建神族的使命。
内详
已完结

虹猫蓝兔功夫系列外传 虹猫蓝兔阿木星

主演:内详
简介:七剑合壁之后,万念俱灰的马三娘想起了十二年前被她抛弃的儿子,于是来到雪岛寻子。马三娘得知阿木的第三只眼是天底下最邪恶的力量,于是企图诱使阿木用第三只眼夺取风、雨、雷、电四大神兽的内丹,进而得到麒麟,好让马三娘东山再起,称霸武林。灾难开始步步紧逼,麒麟危在旦夕。虹猫、蓝兔双剑出鞘,雷霆出击。刀光剑影里,正义与邪恶开始激烈交锋。
内详
已完结

天外江湖之落跑大神

主演:内详
简介:他,国民级游戏天外江湖中的传说,全球争霸赛第一人、亿万玩家的精神领袖、第一帮派领导者,鲜衣怒马少年得意之时惨遭背叛,走下神坛逃离游戏世界,从此消失匿迹。 多年后,一个自称来报恩的少年出现了。
内详
更新至第09集

警视厅局外人

主演:西岛秀俊,滨田岳,上白石萌歌,柳叶敏郎,石田光,优香,野波麻帆,长滨祢留,斋藤工,片冈爱之助,福士诚治,小松和重,长田成哉,渡边圭介,青山伦子
简介:  樱町中央署刑事课的王牌莲见光辅(滨田岳 饰),听到可疑男子拒绝询问并逃走的消息后,立刻赶到现场。冷静地说服挟持人质的男子,让他投降只差一口气了…就在这时,突然,穿着双排扣西装戴着墨镜的黑社会打扮的男子闯入!用熟练的动作制服了可疑人员。瞬间平息事态的这个男子,正是调到刑事科的架川英儿(西岛秀俊 饰)。他是从本厅的组织犯罪对策部,也就是所谓的“丸暴(“暴力团对策搜查官”的俗称)”中调离的刑警大叔…。就在这时,发生了在大学教授家工作的女管家被刺杀的事件。英儿和光辅组成搭档展开调查,在一起调查的过程中,英儿对一切都很完美的光辅产生了违和感…!?在这样的情况下,2人开始关照新上任的刑警水木直央(上白石萌歌 饰),但实际上直央是警视厅副总监的女儿——!?
西岛秀俊,滨田岳,上白石萌歌,柳叶..