Artur

主演：杰拉丁·卓别林,安吉拉·摩琳娜 Ángela Molina,亚力杭德拉·巴罗斯,埃米利洛·艾切瓦利亚,多米妮卡·帕莱塔,Marco Treviño,奥费莉娅·梅迪纳,奥利维亚·莫丽娜,Rodrigo Oviedo,Edison Ruíz,伊万格丽娜·索莎,Paola Medina Espinoza,Arturo Beristáin,Verónica Terán,加斯东·梅洛
简介：　　九十岁的老记者（Marco Antonio Treviño 饰）要迎来自己的寿辰，于是致电老朋友——妓院老鸨罗萨（Geraldine Chaplin 饰），要求她为自己找一个处女过夜。一位年轻的女工（Alejandra Barros 饰从此进入老人的生活，白天，她在工厂缝扣子，晚上，她穿过半个城市来到妓院，裸露睡下供老人把玩，在他面前始终昏迷不醒。老人把她叫作德尔加蒂娜，慢慢发觉自己爱上了她，在沉睡的她面前，他回忆起自己一生的所有风流荒唐，家里的洗衣妇，订过婚又被他抛弃的女孩，夜夜笙歌的妓院美景……他越来越发觉自己已经离不开德尔加蒂娜，而她在他睡着后也会偷偷观察他的一切，对他颇有好感，但是一场意外发生的凶杀案令妓院被迫关闭，德尔加蒂娜就此不见，老人开始发疯寻找……

主演：玛利亚·瓦沃德,亚历克斯·冈萨雷斯,卡洛·科斯坦齐亚,苏珊娜·阿巴图纳·戈麦斯,Eva Ugarte,伊格纳西奥·蒙特斯,‎伊丽莎白·‎‎卡萨诺瓦斯‎,Artur Busquets,罗杰·贝鲁佐,Claudia Galán,Miguel Herrera,Miri Pérez-Cabrero,Davinia Subira
简介：　　Maca (María Valverde), 30 years old and clumsy by nature, makes the most of life and strives to be happy. Maca's talent is wasted working as an assistant for an oppressive and terrifying fashion influencer and she spends her time with guys with whom she never manages to establish an emotional bond. Together with Jimena (Elísabet Casanovas) and Adriana (Susana Abaitúa), her two unique and lovable friends who are always ready to do whatever it takes to make their problems not seem so bad, Maca has managed to make Madrid a city where everything is possible. Everything seems to be going well until he-who-must-not-be-named comes back into her life. Leo (Alex González), the love and biggest mistake of her life, the man who tore her heart apart, obliterated her self-esteem and her faith in men, comes back into her life to turn everything upside down. Maca has tried to forget him, but now she has to accept that he has returned and face the emotions she has locked away to deal with the unforgettable memory of what could have been and never was. Old wounds are reopened and Maca will have to be brave and confront her conflicts, fears and insecurities in order to finally take control of her life.

主演：乔尔·金纳曼,迈克尔·多曼,瑞安·施密特,莎拉·琼斯,珊特尔·范圣滕,乔迪·巴尔弗,克里斯·鲍尔,克莉丝·马绍尔,诺亚·哈普斯特,奥利维亚·特鲁希略,梅根·莱瑟斯,Nick Toren,斯宾塞·加雷特,埃里克·拉丁,Arturo del Puerto,索尼亚·瓦格尔,华莱士·朗翰,迈克尔·哈尔尼,内森·科德里,梅根·多兹,丹·华纳,泰迪·布鲁姆,瑞贝卡·薇索基,蓝尼·雅各布森 ,科鲁姆·费奥瑞,本
简介：　　倘若太空竞赛从未结束，我们这个世界又会如何？　　剧集由开发《太空堡垒卡拉狄加》的罗纳德·D·穆尔共同创作及编剧，以美国国家航空航天局（NASA）的宇航员为主角，描绘这群在那个年代被视为英雄人物的生活，以及他们的家庭故事。

主演：加里·库珀,英格丽·褒曼,Akim Tamiroff,Arturo de Córdova,Vladimir Sokoloff
简介：　　故事发生在1937年西班牙内战时期，在纷飞的战火之中，一位来自美国的名叫罗伯特（加里·库柏 Gary Cooper 饰）的男人，他的身影时常活跃在前线，带领着西班牙人民抗击当地法西斯的残暴统治。他们炸火车打巷战，打得敌人节节败退。　　这一天，罗伯特接手了一个新的任务，和一支由民兵自发组成的游击队联手，炸掉敌人前来攻打必经之路上的一座铁桥。在此过程中，罗伯特邂逅了名为玛利亚（英格丽·褒曼 Ingrid Bergman 饰）女孩。玛利亚曾经是市长的女儿，过着幸福美满的生活，然而战争摧毁了她的家庭，不仅让她失去了父母，自己也惨遭侮辱。共同的革命信念让罗伯特和玛利亚很快就走到了一起。

主演：帕梅拉·阿德龙,米奇·麦迪森,奥利维亚·爱德华,露茜·戴维斯,西莉亚·伊姆里,阿莱西娅·雷纳,马库斯·弗拉纳根,凯莱·弗莱明,汉娜·阿利古德,Arturo del Puerto,丽贝卡·梅茨,格雷格·克罗默,珍·理查兹,Erich Wildpret,蒂芙尼·艾尔
简介：　　FX已宣布续订旗下喜剧《更美好的事》第二季。

主演：凯瑟琳·温妮克,凯莉·班伯里,布莱恩·格拉格提,黛迪·菲佛,安雅·萨维奇,詹妮娜·加万卡,罗根·马歇尔-格林,奥玛尔·梅特瓦利,约翰·卡洛·林奇,洁西·詹姆斯·凯特尔,Arturo del Puerto,派崔克·盖勒,迈克尔·马拉基,安德里亚斯·艾波吉斯,梅天悦,杰里米·雷·泰勒,洛拉·里德,塞巴斯蒂安·莱内尔,詹森·阿克斯
简介：　　Cassie distracts herself with work, while Jenny recovers from her near-death experience, but it won't be long before a mysterious accident leads them to cross paths. Ronald is wrapped up in something he can't get out of.by

主演：伊夫·蒙当,艾琳·帕帕斯,让-路易·特兰蒂尼昂,弗朗索瓦·佩里埃,雅克·贝汉,查尔斯·登纳,皮埃尔·迪克斯,乔治·热雷,贝尔纳·弗雷松,马塞尔·博祖菲,朱利安·吉约马尔,玛加莉·诺埃尔,雷纳托·萨尔瓦托雷,Habib Reda,克洛蒂尔德·若阿诺,莫里斯·巴奎特,热拉尔·达里厄,让·布伊兹,让-皮埃尔·米盖尔,范都德,让·达斯特,居伊·迈雷斯,安德丽·坦茜,弗朗索瓦·肖梅特,José Artur,
简介：　　本片讲述在军事政权创独裁体制的南欧某国（影射希腊），反对政府的在野党领袖Z先生在一次演讲中遭人暗杀，政府当局公布是意外车祸而死，对这理由不能置信的人们强烈要求查明真相。从Z先生的同事那儿打听到种种迹象的检察官决定抵抗政治压力追查到底，终于发现这是一宗有计划的政治谋杀，并牵扯出许多政界的大人物。可是后来牵涉这件命案的人不是被流放就是被处以徒刑或是被杀。加斯华凭借此片一举成名，并开启了政治黑幕片的新风暴。

主演：Isabelle Weingarten,丽贝卡·保利,Jeffrey Kime,杰弗里·凯里,卡米拉·莫拉,Alexandra Auder,帕特里克·波查,Paul Getty Jr.,维娃,塞缪尔·富勒,Artur Semedo,Francisco Baião,罗伯特·克拉莫,艾伦·加菲尔德,罗杰·科曼,Adelaide João,维姆·文德斯
简介：　　故事发生在葡萄牙的海边，一个电影剧组正在这里翻拍罗杰·柯曼的名作《世界末日》，新版本的电影在拍摄过程中却遇到了各种困难。导演不知道为何没有了资金来源，电影面临被迫停拍的命运。导演试图联系到在洛衫机的制片人，以便可以对所有人员有一个交代，但是不知为何却找不到人。他费劲心思希望可以改变不得不停拍的命运，然而，世事总不如人所料，他感到十分无奈。该片情节很简单，但是却耐人寻味，整个电影都沉迷在一种神秘的意蕴中。

主演：Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介：　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

主演：芭尔芭拉·克拉夫托夫娜,兹比格涅夫·齐布尔斯基,Artur Mlodnicki,韦恩泽斯洛·格林斯基,维斯拉夫·格拉斯
简介：　　关于二战的电影是波兰电影学院派经常拍摄的话题。在《如何被爱》中哈斯把只是把战争作为背景，讲述两个普通人的悲剧感情故事。女主角为了爱情的无私奉献最后反而成为了她深爱的男人的负担，在某种意义上毁掉了后者的生活。这一切都是在战争的环境下发生的，正如女主角讲的，开始以为生活就是自己身边的事，后来才发现整个国家都和你有关。而男主角最后也说道，我们都是被卷入战争的普通人。