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主演：普利特维拉吉·苏库玛兰,玛玛塔·莫汉达斯,Vincy Aloshious,Siddique,Suraj Venjaramoodu,Benzi Mathews,Shari,Rajesh Babu,Midhun Venugopal,LittleDarshan
简介：　　一名大学教授的残忍谋杀案引发了学生骚乱，一位警察展开调查的同时一名律师在法庭上寻求正义。

主演：Jorge Thielen Hedderich,Carlos Medina,Leudys Naranjo,Yoni Naranjo
简介：　　Venezuela's economic crisis explodes into riots on the streets of Caracas, as middle-aged Roque heads for the Amazon jungle to revive the abandoned lodge he built during happier, healthier days. As the jungle closes in on him, good friends encourage bad habits and whisper promises of finding gold.

主演：米格尔·安吉尔·索拉,Cecilia Narova,米娅·麦斯特罗,胡安·卡洛斯·科佩斯,卡洛斯·里瓦罗拉,桑德拉·巴列斯特罗斯,Óscar Cardozo Ocampo,Enrique Pinti,胡里奥·博卡,胡安·路易斯·加利亚尔多,Martín Seefeld,Ricardo Díaz Mourelle,Antonio Soares Junior,Ariel Casas,Carlos Th
简介：　　马里奥的前妻离开了他，他的深情和挽留似乎已经没有什么用了，与此同时作为导演的他正在排演一场关于探戈的音乐剧，虽然情绪低落外加脚伤，马里奥依然专注于工作。有黑道背景的安杰罗来找马里奥，他希望投资这部作品，为的是让自己热爱舞蹈的情人伊莲娜演上主角。安杰罗是个可怕的人物，马里奥只能同意他的要求，没有想到的是，在充满情欲性感热情的探戈排演中，马里奥与伊莲娜之间爱意丛生。不知是否是安杰罗的安排，在排演的众多演员中，也似乎出现了一位类似杀手的危险人物，马里奥和伊莲娜陷入了爱情游戏的危机中。　　所有的故事情节随着音乐剧的排演慢慢展开，台前幕后已然融为一体，剧情和现实在切换间也有了意想不到的结局。

主演：Rui Gomes,Isabel Ruth,Ruy Furtado,Paulo Renato,Óscar Acúrcio,Carlos Jesus Alfonso,Manuel Bento,Ruy Castelar,Julio Cleto,Olga De Campos,曼努埃尔·德·奥利维拉,Victor Dias,Henriqueta Domingues,Carlos Alberto Dos S
简介：　　甫成年的朱利歐告別鄉村來到里斯本討生活，無奈工作難尋，只能認份地跟著叔叔學做鞋匠。與年輕而命運相仿的管家伊爾達相戀後，對生存與生活的殘酷命題有了更深刻的體悟……葡萄牙新電影先驅，對當時經濟與社會提出最真摯也最具挑戰性的大膽詰問，有評論認為由此開端的電影浪潮，間接引發了終結獨裁的康乃馨革命。

主演：Carlos Gallardo,Peter Marquardt,Consuelo Gómez,Jaime de Hoyos
简介：　　这是导演的成名之作，罗伯特自掏腰包拍了这部低成本的黑色电影，结果一炮而红。影片讲述的是一名心狠手辣的罪犯成功越狱后，来到小镇伺机找他的仇家报仇，仇家的手下只知道那个罪犯将武器藏在吉他盒子里随身携带，而从来都没有见过他本人。一名流浪的吉他手（卡洛斯•加拉尔多 Carlos Gallardo 饰）凑巧这时来到小镇谋生，于是，莫名其妙的他就被卷入了一场不知所谓的追杀中。追杀的场面被导演演绎的笑料百出，黑色幽默表现的淋漓尽致。

主演：Sotiria Leonardou,Nikos Kalogeropoulos,Michalis Maniatis,泰米丝·芭查卡,Nikos Dimitratos
简介：　　十部必看的希腊电影经典之一。如果想了解希腊文化尤其是音乐此片必看。1984年柏林电影节最佳导演银熊奖。　　Considered to be one of the most powerful and emotional Greek movies, Rembetiko focuses on the life of an individual woman,a real person and through her personal story, it retells the story of Greece,from 1920 to 1955:the national disaster in Asia Minor,the one million refugees who came to Greece,the World War II,the Nazi occupation,the Civil War.The tragedy and the glory of a nation during the century.And all these bound with the music of rembetiko,the music of the outcasts.Great direction,great performances,great music.A voyage to history of the first half of the 20th century, but also a voyage to the origins of rembetiko.Realistic and dreamy.An original Greek epic.

主演：Olga Kacijan,Vladislava Milosavljevic,Boris Komnenic
简介：　　This is a brilliant surrealistic film.　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.　　So, the art falls apart

主演：Theodoros Katsadramis,Lina Triantafillou,Yannis Kostoglou,Makis Panorios,Mirka Kalatzopoulou,尼科·马斯托拉基斯,潘多利·佛加瑞,D. Skoulakis,Iasson Yiannoulakis
简介：　　安哲学生时代的短片作品。

主演：西格妮·韦弗,本·金斯利,斯图亚特·维尔森,Krystia Mova,Jonathan Vega,Rodolphe Vega,Gilberto Cortés,Jorge Cruz,Carlos Moreno,Eduardo Valenzuela,Sergio Ortega Alvarado,凯伦·斯特拉斯曼
简介：　　波利娜（西格妮·韦弗 Sigourney Weaver饰）曾经被一个男子施暴，被蒙着眼的她一直不知道罪人是谁，她的性格也变得神经兮兮。她的丈夫杰拉多（斯图尔特·威尔逊 Stuart Wilson饰）当选委员会主席后回到家中，就发现波利娜有着一些比平时更怪异的举动。她甚至把前来拜访的邻居米兰达（本·金斯利 Ben Kingsley饰）的车子推落山崖，凭着米兰达车里的磁带“死亡和处女”，以及米兰达的气味和呼吸，波利娜坚信，米兰达就是当时对她施暴的元凶。　　她发了疯似的把米兰达绑在房间，要和丈夫一起审判这个罪犯。然而，米兰达分明有着确凿的不在场证据，这令丈夫也难以相信波利娜的认定。这一切是波利娜的幻觉，还是确有其事，这场审判会令真相一一浮出水面。

主演：Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介：　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.